The Nature of Love from Millay and Shakespeare

?Passage I,? by Edna St. Vincent Millay, and ?Passage II, by William Shakespeare, both restrain the true nature of lie with. Edna St. Vincent Millay signalises lie with as something that result give-up the ghost to death. William Shakespeare differentiates chi sense as a fever that makes atomic number 53 ill. both(prenominal) these poems clearly show that the nature of roll in the hay is so hearty that people want to break away from it. In Edna St. Vincent Millay?s poem, the nature of hit the sack is mainly described as unsafe and something that preempt cause death. Millay uses several literary elements to express her radical of savor. One of these elements includes imagery. She shows how love can be unpredictable by describing love as a ?green fire.? She uses this term because the color green is not usually associated with the color of fire. Millay also uses the expounding of love as ?shimmering ice-bergs.? This gives the reader a sense that love can also be cold and fierce. Lastly, Millay describes love as lighting and a sword striking incessantly. This is a very vivid characterization of love because the reader can instantaneously compass a picture of how painful love can be. In her line, ?Mist, shadow, silence-these are lovely, too,? Millay shows that she prefers a softer, milder love. Millay also uses metaphors in her portrayal of love. Phrases such as ?peaks of love,? stand out in the poem. Millay describes love as a set in this implied metaphor. By choosing to describe love as a muddle, she gives the reader an image of love as jagged and sharp. Also, by using the term ?peaks,? Millay tries to nettle the reader to understand that love is like a mountain where one is so high up that it is easy to fall. Love, she says, has a part whose name is... If you want to get a great essay, order it on our website: OrderCustomPaper.com

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