Subway Verses the Tube Train

Subway and The metro dress George Tooker, an American dodgeist painted Subway in 1950. Cyril E. Power, a British artist, created The Tube Train in 1934. With a quick glimpse of the eye, champion whitethorn think these two pieces of art swear out argon similar. After completely, a subway and a tube train argon basically the comparable thing. To a trained eye, one can see the many differences in the two pieces. Tooker was associated with the Magic Realism movements, and is best known for his depictions of alienation in modern city life (Artnet).Tooker focused on urban lonesomeness and disillusionment. His consequences are often obscured by heavy c managehing and appear nodding and shapeless, trapped within their own frighten away worlds (Leninimports). Tooker adopted a rule of using egg yolk thickened slightly with water and indeed adding powered pigment, a medium that was quick drying, tedious to apply, and hard to change over once applied, called egg tempers (Leninimpor ts). Subway depicts office workers trapped in a maze of prision-like passageways (Artnet).The central figure in Subway is a nitty-gritty aged woman with short, gray hair, cut off and curled in the modality of 1950s (Whitney). Her facial expression is fearful, appears anxious, and manners depressed. Tooker paints her in midstride as she walks toward an unseen destination. She is wear a bright red dress. The surroundings are dark and dull and of neutral colors. The viewers eye is drawn to the woman because of the locating of the other figures in the painting and because the walls and railings of the subway create a fanlike effect around her (Whitney).The other female figures in the painting are in the distance and hard to be seen by the eye. The men in the painting are threatening figures who lurk in the background, wearing big coats, all identical except for the color (Whitney). Some of the men are looking suspiciously around the walls of the booths at the woman. The woman wear s red, white, and blue which may symbolize the desperate desire of American women in the 1950s to rifle more modern and independent (Whitney). Power was elected Fellow of the purplish Historical Society in 1925.That same year he helped sit up Grosvenor School of Modern Art. It was here where he learned near lino cutting (Lenimports). Linocut is a printmaking technique where a design is cut into the linoleum surface with a sharp knife, with the raised areas representing a mirror image of the parts to show printed. The linoleum sheet is inked with a drum roll and then pressed onto paper or fabric. Powers work was generally printed in color, with separate blocks for each color of ink (Nydam). The Tube Train is made of four colors, yellow, red, light blue, and dark blue.It is a sample of life in London as workers go home on the underground train. The seated riders heads are buried in newspapers. A few people are standing in the comportment of the train. Both men and women are se en in the print. The viewer is looking land the isle of the train, as if they are sitting in the back. This print is an example of a one point perspective. They print also uses a lot of repetition. The deiling design is repeated is all the ceiling tiles. All the seated riders are holding a newspaper. The men on the train are all wearing hats.One can now see how a quick look at a piece of artwork can be deceiving. Although the subject matter of art may be alike, the fine details, which give art its true meaning, can differ greatly from one piece to another. http//www. leninimports. com/cyril_e_power. hypertext mark-up language http//www. leninimports. com/george_tooker. html http//whitney. org/Education/Teens/RaidTheMuseum? GeorgeTookerByVita3052 http//www. artnet. com/artists/george-tooker/ http//nydamprintsblackandwhite. blogspot. com/2011/05/cyril-powers-tube-train. html http//query. nytimes. com/gst/fullpage. html